Monday, December 24, 2007

Tony Peck's (The Forecast) Tops Of 2007


Top Album Of 2007-
duran duran - red carpet massacre

Top Concert Of 2007-
muse @ bamboozle

Top Movie of 2007 -
aqua teen hunger force colon movie film for theaters

Favorite Moment Of 2007-
seeing the spice girls arrive at the victoria's secret fashion show from across the street in west hollywood. i had no idea baby spice is so short!

Least Favorite Moment Of 2007-
having a 13 year old kid tell me my band sucks and that they hate me at bamboozle when i asked them if they'd be interested in buying a cd.

(photo credit myspace.com/theforecast)

Ryan's (Throw The Fight) Tops Of 2007


Top Album of 2007-
"The new Saosin record is pretty much amazing. I haven't taken it out of my car in a long time."

Favorite Moment Of 2007-
"Wrapping up on our debut album, 'In Pursuit of Tomorrow.' Be on the lookout for it in February!"

Top Concert Of 2007-
"As I Lay Dying, All That Remains, and Haste the Day at the Cabooze. My ears are still ringing from that one!"

(photo credit myspace.com/throwthefight)

Johnny's (The Men Who Control The Weather) Tops Of 2007


Top Album of 2007-
"Idigaragua" by Fort Wilson Riot. The most imaginative Minneapolis band out there right now.

Top Movie of 2007-
So far, "No Country For Old Men", but "There Will Be Blood" comes out next week.

Favorite Moment of 2007?
Getting to go on tour out east this past summer.

Least Favorite Moment of 2007?
While we were touring out east, we played a show that we were told was going to be in Rochester, New York. It turned out to be in the garage of some kids parents garage in a suburb of Rochester, New York. The only people there were the kids that lived there and a couple of their friends. We didn't get paid and the cops showed up halfway through our set. This retelling really doesn't do justice just how bad that day was. Two weeks later we discovered one of the kids left his glasses in our merch tub for some reason, and we felt kind of bad.

(photo credit myspace.com/theweathermachine)

My Tops Of 2007

Casie
Top Albums of 2007 –
Against Me! – White People for Peacee
Limbeck – Limbeck
Fall of Troy – Manipulator
Chiodos – Bone Palace Ballet
Thrice – The Alchemy Index : Volume 1. Fire and Water
Spoon – Ga Ga Ga Ga Ga
Jimmy Eat World - Chase This Light
Kings of Leon - Because of the Times
Minus the Bear – Planet of Ice

Top Movies of 2007 –
No Country for Old Men
Juno
Grindhouse
I’m Not There
Superbad
We Own the Night

Top Concerts of 2007-
Limbeck at The Whole
Dillinger Four at Jillians (las vegas)
William Elliot Whitmore at The Triple Rock
Against Me! at The Fillmore
The Format, Steel Train, Limbeck at Station 4

Monday, December 17, 2007

Limbeck: the interview, part 3





Welcome to the last part of this interview. I think this is my favorite part. We started talking about their craziest experience on the road and it turned out to be quite a story.

Y!M! – Ummm, what else…OH! What is the craziest thing that has ever happened to you on the road?
Patrick – Crazy Cliff. Do you know that story?
Y!M! – I don’t know that one
Patrick – Really? We haven’t told you that one? Well our van broke in S.C, but we were able to drive it to a shop. We had to drive like, 20 miles an hour. We got to this place and it’s the middle of nowhere small town.
Y!M! – Creepy, like chainsaw massacre?
Patrick – Pretty much. I don’t wanna say inbred, but..
Y!M! – But, inbred? I’ll say it haha
Patrick – Haha, kinda racist, ya know, pretty bad. So we pull in and they’re like, “Ahh yeaaaah, we can fix it” and we had a Johnny Cash sticker and Willie Nelson sticker so that was kinda like, points for us. They were like “Yeah man, we can fix it. You guys are in a band!”
Robb- They started blasting our record out of one of their pickup trucks
Patrick – They had it on repeat. They fixed our van, whatever. A year later we’re back in S.C playing a bigger city, Charleston.
Robb – And it was with a bigger band so it was advertised on the radio.
Patrick – We never talked to that mechanic, but he made it out to the show. The reason we found out he was there was because Jon Cheese (tour manager) saw this lady in the back with a big camera, like huge, one of those with the VHS tapes, taping us with a flood light and he had to go ask her to turn it off cuz the light was so obnoxious to everybody around her. That mechanic was with her. Later he shows up at our merch booth, just wasted spilling beer on everything and tipping stuff over. We go back there and we’re like “Hey Crazy Cliff!” well, we didn’t call him Crazy Cliff, but that’s how we have him in our phone. He’s like “Hey guys!! I brought my girlfriend, I left the wife at home! This is Shanda, yeeah! This is my son” then some girl walked by him and he was like, “Heeeey, hottest ass in Charleston!” while he was taking a photo with his phone. Girls would come up to our merch booth and he would be like, “Hey what do you want to get? I know these guys!” and pulled out a wad of cash. At the end of the shows he says, “I just wanna get a picture before I go” we’re like, cool. So we go outside and while we’re posing for a picture with him he’s trying to sell us Xanax and Vicodin. We’re like nooo that’s ok, we’re cool. Then he’s like “Hey guess what!?!” and we’re like “What?” and he said, “I won the lottery for 16 million dollars. I just bought this new convertible Mustang. I parked in handicap spot so no one would fuck with my car! But hey, I have this camper at my shop and I want you guys to have it. I have the pink slips and I want to sign it over to you guys.” We’re like…crazy. But we couldn’t go to his house because we had to go to Florida then Atlanta and then head out west so we couldn’t make it. One day we were really trying and we called him and he was like “Ah, I’m busy buying houses”
Jon – Then he changed all of his numbers cuz he was like “Man, everyone is coming out of the woodwork now. My mom and my sister keep asking for money.”
Y!M! – Haha, his mom is coming out of the woodwork?
Jon – Exactly
Patrick – Another good part, we were sitting around while we were waiting for the van to get fixed and he was like, “Hey, you guys wanna come over and like, eat dinner and jam? I got 20 acres of land you can play as loud as you want.”
Justin – “My wife can cook steaks for all you”
Patrick –He calls his wife and says “Hey baby, fix up 8 steaks” We were like, noooo it’s cool we don’t wanna come over.
Justin – He was like, “I grow my own weed, it’s cool”
Robb – I’ve got 20 acres you guys can jam as loud as you want, haha.
Patrick – It was just crazy enough that he fixed our van, but then he shows up and he like…
Justin – “Hey I’m crazy and I won the lottery”
Y!M! – There with his girlfriend, leaving the wife at home.
Patrick – Dude won 16 million dollars and he’s still like, hocking Xanax.
Justin – He brought his son there, who was like, 15. Poor guy.
Y!M! – That’s a good story, definitely a keeper.
Justin – It sounds unbelievable, but it happened.
Jon – And that was the fourth day that I was in the band.
Justin – Oh yeah!
Y!M! – Haha, good introduction. Welcome to Limbeck!
Patrick – Which sucked cuz we’ve had our van for so long and there’s so many miles on it then Jon joins the band, and we were pumped, we were on tour with Lucero. We’d never broken down before that and then and it was just like, aw man, the start of troubles. Welcome to our band. The good thing was, I just remembered this, that night in the hotel Easy Rider was on and then we got fireworks and lit them off in the parking lot of the hotel. It was an awesome night.
Jon- We lit them off behind Waffle House.
Patrick – Yeah! Good night.
Justin – Good night.
Robb – It was a lot of fun.
Patrick – That was one of the first time we cancelled a show too.
Y!M! – Cuz you were lighting off fireworks?
Patrick – Haha, no cuz of the van.
Robb – It was an instore.
Patrick – But we were super bummed, cuz it was N.C
Robb – Then we broke down in Brooklyn right after that and not much later we broke down in Fort Collins and had to get a new engine.
Patrick – That was cool too. Our van broke down as we pulled into the show. We thought it was totally, totally gone. After the show, we just had to get to Jon’s friend’s house to stay the night. Then something happened where everybody was running and jumping onto the hood, and it started! So we started driving it down the street and then it totally died for good.
Robb – I dunno if that had anything to with it, but I think it kinda did
Patrick – It wasn’t starting and then when people started pounding on the hood, all of a sudden it worked. I don’t think that fixed anything
Robb – Definitely not. I think it got worse after that. The oil was filling into the gas tank
Patrick – Crazy smoke
Y!M! – That’s a good entrance though, your van emerging from a cloud of smoke.
Patrick – It was actually when we were leaving, it was more like, that’s sad. They’re a sad story.
Jon – I can’t believe we pulled up, to the show and it died in the parking lot.
Robb – It almost died again in the middle of nowhere Wyoming at the rest stop. That would have made us miss the show for sure, and we would have been stuck in nowhere Wyoming.
Patrick – Some credit to us, for our strength in a band, we did not miss a show. We got a rental van and we also borrowed Drag the River’s stuff for a couple shows –
Justin – For a week.
Robb – They drove us from one show to the next.
Patrick – Then we got a rental van and we drove that around for a whole leg of the tour, came back and picked up our van that was fixed and continued on.
Y!M! - Dang, you guys are troopers.
Robb – And that’s one time when our label really came through us. They gave us money right away to fix the van.
Y!M! – Was that Doghouse?
Robb – Yeah. Well not give us money, but loaned us money.
Y!M! – But that’s still a big deal.
Robb – It was very cool.
Y!M! – well is there anything else you’d like to end this with? One last line?
Justin - HEYO!
Fin

So, I hope you had as much fun reading this interview as I had doing it. Seriously though, if you ever get a chance to see Limbeck, you better take advantage of that opportunity! This is a band that I can see over and over again and I’ll never get sick of them. And if you do take my very wise advice to see them, be sure to stop by their merch booth and say hi (and buy something, they had some rad stuff, including a very sweet vinyl released on Suburban Home Records) so you can see, first hand, how cool and friendly they really are. Rock on.

Thursday, December 13, 2007

Limbeck: the interview, part 2




My favorite kind of interviews are the kind that don’t feel like interviews at all. That’s basically how it went with Limbeck. I had a couple questions in mind to get started, but after a while we just started talking. This part of the “interview” we mainly talk about basements and the lack of them in California. It might not be extremely informational, but it’s definitely entertaining.

Y!M! – I know on your albums you make a lot of geographical references. You’re from California and make a lot of mention of it in your music. What do you think you would sound like if you were from Minnesota?
Patrick – (singing) I’ve been kinda drunk, cuz it’s so cold….But I think if we lived in MN, we’d sound the same.
Robb – I think we’d be a little more punk.
Justin – A lot of people don’t know where we’re from and they’ll ask us, “So, where in the Midwest are you from?” They have no idea we’re from California.
Y!M! – You could sing about how slow the traffic is on I-94
Patrick – (singing again) I’m drinking a can….
Jon – That’s awesome to hear you (robb) say “I think we’d be a little more punk”. He’s all serious about it.
Y!M! – You’d probably practice in basements a lot more.
Jon – Yeah, there are literally no basements in California.
Y!M! – Seriously?
Justin – Robb had a basement.
Robb – Ah yeah kinda. We had this plan “Let’s dig this hole in the ground!” It was like a dirt floor basement. One of the only basements I’ve ever seen in California at a house that I lived at.
Patrick – It was an old school style house built a long time ago.
Robb – It was a dirt floor basement, but you had to kinda duck when you were in there, cuz it wasn’t really tall enough to practice in. And the floor boards were simply boards-
Patrick - Right above your head.
Robb - It didn’t really block the sound at all from getting out into the house and into the neighborhood.
Patrick – We still had this grand scheme that that would be our practice space
Robb – We were gonna dig a hole in it, deep enough so that we could stand up and we would have a practice space.
Justin – Basically trying to dig a room in a basement
Patrick – And we were gonna have shows, and we would practice there and make it a studio and make it a badass thing. Then we get down there and we’re digging and we were like, ah man. We had a wheel barrow going up a wood ramp, up the steps and after we did about 2 x 2 foot sized area –
Robb – No, it was probably 3 x 5…at least
Patrick – Well, we did that much digging and we did it maybe another 4 inches deep-
Robb – Ahh, it was probably a good foot down.
Justin – Haha but the reason why we stopped mostly was cuz the house was supported by these beams, and if we kept digging, the structure of the house probably would have caved in on itself.
Y!M! – Yeah once you hit the bottom of those beams…game over.
Robb – Yeah it was basically wooden beams going into cement blocks
Justin – So it was just a bad idea
Jon – I never knew that story.
Justin – There’s your story.
Patrick – We actually used it during the “Hi, Everything’s Great” demo’s, we recorded the guitar amps down there.
Robb – We used that hole. We put old carpet down and did what we could. We just didn’t like the mic cord going down through the floors….I don’t remember how we got the mic cord down there.
Patrick – And then we screen printed down there.
Robb – Yeah that was a terrible idea too, we should have just done it in the backyard.
Patrick – We got super high off of the fumes.
Robb – Our hands were peeling…our throats were bleeding
Patrick – Our eyes fell out of our heads…
Y!M! – That makes for good music though, if your throat is bleeding
Patrick –Totally, we’re also fans of Hot Water Music
Y!M! – And Avail.
Patrick – They have bleeding throats…that’s what I was getting at
Jon – So good..
Y!M! – Haha yeah, I figured that. That was a good reference.

It was hard to make a conversational piece easy to read, but hopefully you’re starting to understand how rad Limbeck is. The 3rd and final part of the interview is probably my favorite part of the interview. They tell me about the craziest thing that happened to them on the road. I’ll tell you this much; it deals with the lottery, beer and a camper. Trust me, it’ll definitely be worth your time.

Monday, December 10, 2007

Limbeck: the interview, part 1




Every Limbeck show I’ve been to has been better than the last one and the show they played at The Whole at U of M was no exception. They always amaze me with their willingness to hang out afterwards and meet with people. It doesn’t seem like Limbeck will never be one of those bands that doesn’t sell their own merch or a band that runs into the bus right after a show and totally ignores their fans in the process. Even after playing for over an hour and a half, the guys went straight to their merch table and sold sweatshirts, tees and albums for another 30 minutes. After helping them carry some gear out to the sidewalk and waiting for Patrick to pull their rented mini van up (they were flown out to MN for 2 shows. One at Duluth and one in Minneapolis) we were finally able to get this interview underway.
Limbeck’s most recent video “Big Drag” was shot in Minneapolis and they came all the way out to this snowy abyss for 2 shows. In fact, I’ve seen them in Minnesota twice now in the span of 3 months. It makes me wonder, “Do they really like Minnesota that much, or is it just coincidence?”

Robb – We love MN and also our friend Shane Nelson, who directed the video (Big Drag), lives in St.Paul.
Patrick – We made our first record here too and people were saying, “You sound like the Replacements a little bit” and we were like, “Who are the Replacements?”
Robb – We knew who they were, but we never really knew anything about them.
Patrick – We never really gave them the time of day, but then we went out and bought all these Replacement records and freaked out. That’s when we got into the Jayhawks too. Well Jon’s known all these bands forever, I shouldn’t include him in that statement, cuz he’d be embarrassed to say that. But anyways, it’s cool because I think that somewhat lead us here. That kinda music is out here and that lead us to make out second record out here and spend a month here, and that was awesome.
Y!M! – Where did you record?
Patrick – At Flowers Studio, which Ed Ackerson works out of. And Gary Louris, who we’re about to go see-
Robb – At a bowling alley
Y!M! – Haha, oh really?
Patrick – He’s actually like a statue in Bryant Lake Bowl. No, literally
Y!M! - Well, almost literally
Robb – Haha, yeah. He’s the one you’ll see every night at Bryant Lake Bowl after midnight.
Patrick – Hey we should go meet up with him. Let’s go to BLB.
Justin – Should we call him? Nah, just go to BLB.
Patrick – Let’s call BLB. It’s more reliable.
Y!M! – So that first record you recorded was in 2000. Is that the one you’re talking about, “This Chapter is Called Titles”?
Patrick – Oh Whoa, that one is a long time ago. No we were talking “Hi, Everything’s Great”
Y!M! – Yeah, I was wondering because that one sounds completely different from the rest.
Robb – We kinda forget about that one just cuz it went out of print.
Y!M! – I saw on Amazon that a copy of it was going for, like, 65 bucks.
Patrick – It’s not worth it.
Jon – That’s actually my copy.
Y!M! – Haha, it’s been up there since 2001.
Patrick – I’ve been looking for one to sell. Shit, get 60 bucks for that? I need the money.
Y!M! – So there is a different sound between that album and the other albums. Was there anything that made you guys change your sound?
Patrick – Too many bands sounded the same. We were also going for a sound that we were not good at. We didn’t feel solid, we were still feeling it out.
Robb - We were still kinda testing things out. We were a young band and we just made this record.
Y!M! – It’s still a good record. It’s a good first record.
Patrick – You know why it’s somewhat okay, is because of Ed Rose. He was the producer on it. If we didn’t have Ed Rose, it would have been such a pile of shit.
Y!M! – That’s cool that you were able to work with him on your first record.
Patrick – Yeah, it started a good relationship. He helped us get some direction and gave us lot of good input on trying different things.
Robb - And then from there we took a lot of ideas we learned from that first record in the studio and used it when we were working towards “Hi, Everything’s Great” which was 3 years later. We went back with Ed and we made the first record we were really proud of.
Patrick – It felt good.
Y!M! - That’s an awesome opportunity for a band that’s recording their first album to work with Ed Rose. How did you swing that?
Patrick – We had money.
Y!M! – You had money? How?
Robb – We had a lucky thing happen to us where we had money. Kinda like winning the lottery, but it wasn’t winning the lottery.
Patrick – We wanted to work with Ed Rose because we’re fans of the Get Up Kids. His thing is cool though, because we like the Get Up Kids and as much as we don’t wanna say it, I’m sure we wanted to sound a little bit like them, have a little bit of a Get Up Kids sound. He’s an awesome producer in his ability to take our ideas and what we like and still make us sound unique and help us hone our own sound. He definitely helped us figure stuff out, which is how he came into play on “Hi, Everything’s Great”.

When I started to write this interview up, I was going to try to take what we talked about and just write about it, but I feel like you wouldn’t have gotten the full affect of what Limbeck is about and what they were saying. These are some genuine guys, having a good time playing the music they obviously love and are proud of. Keep checking back, because in the next few days I’ll be putting up the second portion of this interview that deals with basements in California, their first practice space and what they might sound like if they were from Minnesota.

Sunday, December 9, 2007

Thrice "The Alchemy Index: Volume I & II. Fire & Water" 2007, Vagrant.. a review


Thrice is back with the first installment of the Alchemy Index, which is their interpretation of Fire and Water. It’s great to hear Thrice experimenting and creating a new sound. At first I felt a little underwhelmed when I listened to this album. I thought it sounded like they had got a little too caught up in the conceptual ideas of the albums, but after really paying attention to what was going on, I started to appreciate it more and more for what they were trying to achieve. I don’t feel like they have completely reached the top of what could be done, but there is also another installment to come. I’m really looking forward to Earth and Air after listening to this album. I think it’s gonna pull the whole idea of the elements together and lift the Alchemy Index up to a level that Thrice hasn’t achieved before.


Fire-
YOU NEED TO HEAR–
-Burn the Fleet (#5) Right when you hear the first chords of this song you know it’s gonna be one that you’ll listen to over and over. It starts of very crunchy, heavy and it melts into this dreamy guitar sound and peaceful vocals. The vocals were interesting because even though it had a dreamy sound, I could hear a firey undertone, seriously, not just because it’s the “Fire” album. Then it kicks back into that crunchy heavy guitar and harder vocals. It’s really an intricate song that will take you a few listens to appreciate every part of it, but you’ll realize the talent after 1 listen.


-Firebreather (#1) The beginning of this song is so creepy. It sounds like a tornado warning and it just makes you feel like you’re in the middle of a disaster. It’s a surprisingly catchy song, not catchy in a POP kinda way. It’s much more subtle. After listening to it, I kept finding myself thinking of this song. It really stuck with me and I don’t find that happening to me much.


IF YOU DON'T HAVE TIME YOU CAN SKIP –
-The Flame Deluge (#6) it’s a shame because Dustin Kensrue’s voice is so full of passion. You can basically hear his voice ripping out of his throat, but it seems to take a back seat to the music in the mix.


Water-
YOU NEED TO HEAR –
-Open Water (#2) Even though this song has some of those computerized, overproduced elements, they seem to work together a lot more and there are more organic elements brough into the mix. It’s a very emotional song and every part is able to portray that.


-Night Diving (#4) – This is the first time on Water that we hear some straight guitar and drums, no synths or computer tracks. There are no vocals, but it’s nice to see that they can conceptualize the element of Water without being watered down or over produced, which seemed to happen sometimes on the other songs.


IF YOU DON'T HAVE TIME YOU CAN SKIP –
-Digital Sea (#1) Again, this is a shame because Kensrue’s voice sounds so amazing. This sound is completely different than the one you hear on The Flame Deluge. It’s so serene and peaceful, but the music can get a little repetitive. It sounded like a lot of computerized over produced parts, which was probably what they were going for, but it’s nice to have all components of the song work together.


(photo credit www.alchemyindex.com)

Limbeck Interview



Hey guys, so I had a rad interview with Limbeck after their show at the U of M on Friday (the 7th). I'm sure you don't just want to read the transcript of the interview cuz that can get long, so I've come up with a plan! I'm breaking the interview up into 3 sections. The first one deals with recording “Hi Everythings Great”, working with Ed Rose and the Bryant Lake Bowl. It will be up on Tuesday, maybe Wednesday if I sleep in. Maybe Monday if I skip class. At the end of that section I'll let you know what the next part of the interview will be up and what it's about. So keep checking back, it's gonna be fun.

Monday, December 3, 2007

Concerts You Need to See in December

Don Decker Benefit show with Iron Maidens – December 1st @ Station 4
Now don’t get this mixed up with Iron Maiden. This is “the world’s only” female Iron Maiden tribute act. They’re coming all the way from L.A, I don’t know what this benefit is for, but you can’t go wrong with a female Iron Maiden.


Panoramic Blue – December 1st @ Red Carpet (st.cloud) (21+)


Iron Maidens – December 2nd @ Station 4


Write This Down, Tomorrow’s Forgotten – December 6th @ The Quarry (SCSU, FREE)
Free shows are good for your health.


McKinley Place – December 7th @ Red Carpet (21+)


Limbeck – December 7th @ The Whole (U of M)
It’s Limbeck, you know I’m there.


Annex, Three Pill Morning – December 8th @ Red Carpet (21+)
I did a review about Annex a few months ago. For a bar band, they put on a pretty sweet show. They play a mix of pop and punk covers. Their shows promise to be filled with plenty of energy and songs that we can all sing along too. If you can’t make it to this show, try and check out their new years eve show at the Carpet.


Get Young (cd release show), Small Towns Burn a Little Slower, City of Sound – December 8th @ Triple Rock


Lemonheads – December 10th @ Varsity Theater
Love the Lemonheads. Even though Juliana Hatfield is no longer with them, he still rocks it. I saw them once in Denver and I remember it being a rad time. I had a few too many Red Stripes to remember the end of the show, but they had a really pulled together sound that really is a great compliment to their albums.


Dillinger Escape Plan – December 11th @ Station 4 (tickets from original show will be honored)


Hydrophonics – December 15th @ Red Carpet (21+)


Comeback Kid – December 16th @ Triple Rock


Wu-Tang Clan – December 16th @ First Ave (18+)


Van Morrison – December 20th @ Northrop Auditorium


Building Better Bombs – December 21st @ The Turf Club


Soul Asylum, The Evening Rig, Mayda – December 21st @ First Ave (18+)
Remember Runaway Train? Somebody to Shove? Promises Broken? Yeah, I didn’t think you would need anymore persuasion.


Four Letter Lie – December 22nd @ Varsity Theater


Mason Jennings – December 27th @ First Ave (18+)


White Light Riot – December 28th @ Varsity Theater
These guys have kind of dancey Ted Leo kind of sound. It’s hard to describe past that. I’ve never seen these guys live, but I really hope I can make it down to Minneapolis to catch this show. If you don’t wanna make the investment to buy their album, just check out the 30 second clips on i-Tunes and that will be enough to draw you in.


Fred Savage and the Unbeatables – December 29th @ Red Carpet (21+)
One of the best bands to come out of Minnesota. They had their final show in August… or September, but luckily for us, they’re getting back together for this winter break show! I’m so freakin excited for this. They have a sound that resembles a ska Weezer, and they play the perfect combination of original songs and covers. This is one of the few bar bands who’s original songs are just as well received as the covers they play.


New Years Eve with Brother Ali – December 31st @ First Ave (21+)
Minnesota’s most prominent albino rapper. Very cool stuff. I saw him on Conan. He has a sweet mix of melodies along with rapping, it makes for a good time for everyone.


VH1’s Rock of Love New Years Eve with Bret Michaels – December 31st @ The Myth
Yeah, if you like The Bret Michaels Band and want to spend 104 bucks on a ticket then you’re set for New Years…and you’re kind of a tool. Sorry, but come on. And why is The Bret Michaels Band on Guitar Hero III? He says rock of love, like, 37 times.